23,647 Royalty-Free Audio Tracks for "Midi Files Of Opera Music"

3 steps in just A12 on middle C: 30/23 = F = 459.99 cents.

7 steps in just A12 on middle C: 21/11 = C↓+ = 1119.46 cents.

*21st subharmonic on C = G-. Just: 32:21 = 729.22 cents. Limit: 7-limit. MIDI pitch bend: 45,73

*19th subharmonic on C = A. Just: 32:19 = 902.49 cents. Limit: 19-limit. MIDI pitch bend: 102,64

10-tet scale on C. MIDI pitch bend matches intervals.

*17th subharmonic on C = C♭. Just: 32/17 = 1095.04 cents. Limit: 17-limit. MIDI pitch bend: 53,94 on a m7

*121st subharmonic on C = D↓↓. Just: 128:121 = 97.36 cents. Limit: 11-limit. MIDI pitch bend: 20,95 on a PU

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

public domain recording from the Library of Congress

Long Trail (computer generated) "A lazy meditation on the long, hot road ahead."

*Cent on C. Equal-tempered: 21/1200:1 = 1 cents. MIDI pitch bend: 41,64 Simultaneously and successively.

*Centitone on C. Equal-tempered: 21/600:1 = 2 cents. MIDI pitch bend: 82,64

Čeština: Česká státní hymna Kde domov můj v podobě z novely zákona o státních symbolech z roku 1998. Jde o podobu převzatou z Věstníku ministerstva školství a národní osvěty z roku 1933. Czech national anthem Kde domov můj

O Völkerhirt auf Petri Thron, Papsthymne aus Österreich, 19. Jahrhundert

Anthem of the Sucre Municipality . Cagua Aragua State. Venezuela. Himno del Municipio Sucre. Cagua estado Aragua

Anthem of the Libertador Municipality . Palo Negro Aragua State. Venezuela . Himno del Municipio Libertador. Palo Negro estado Aragua. Venezuela.

, Algerian piyyout, by Elie Bensaid

Classical algerian music (Sanâa of Tlemcen) Msaddar rasd eddil "rani bi l-afrah", from the first mouvement (msaddar) of the nûba rasd eddil.

Classical algerian music (Sanâa of Algiers) "Laylat-u al-'uns-i", a mseddar (first movement) from the Gherib mode.

Classical algerian music (Sanâa of Algiers) An istikhbar from the Zidan mode, one of the sixteen modes known in the classical algerian music or arab-andalusian music of Algiers (Algeria).

Barichai Bocherh Aarbi, Algerian jewish liturgical song, by Elie Bensaid

한국어: 홍난파 (1898년 ~ 1941년)가 작곡 및 연주를 한 "조선의 애수". 1924년 콜롬비아 레코드에서 작곡하여 연악회에서 발표하고, 1931년 콜롬비아레코드에서 녹음한 바이올린 독주곡. The Violin solo titled "The Sorrow of Korea" which was both composed in 1924 and recorded in 1931 by the Korean composer Hong Nan-pa (1898 ~ 1941). More information about the work in Korean

Classical algerian music (San'a of Tlemcen) Istikhbar Mezmoum, vocal improvisation in the mezmoum mode (one of the seven fundamental algerian modes).

sound sample from Symphony Fantastique, Berlioz

Final de la Symphonie N°1 de Louis Vierne - Cathédrale de Monaco 2004

The traditional song Coo Coo Bird, recorded by Clarence "Tom" Ashley Das traditionelle Stück Coo Coo Bird, aufgenommen von Clarence "Tom" Ashley

Valse les sirènes (op. 154) (1878) d’Émile Waldteufel

The Armstrong Twins and Harold Hensley perform Stuck Up Blues, Mandolin Boogie and Bill Cheatum at KXLA's Hometown Jamboree on July 4, 1949. The Hometown Jamboree was one of the west coast's most popular barn dance shows and was led by Cliffie Stone. On Bill Cheatum, Harold Hensley is on fiddle and Eddie Kirk plays guitar. Die Armstrong Twins und Harold Hensley spielen den Stuck Up Blues, den Mandolin Boogie und Bill Cheatum live im KXLA Hometown jamboree am Abend des 4. Juli 1949. Harold Hensley wird bei Bill Cheatum von Eddie Kirk an der Gitarre unterstützt.

Eck Robertson's version of the fiddle tunes "Sallie Johnson" and "Billy in the Low Ground". Eck Robertsons Version der Fiddle-Stücke "Sallie Johnson" und "Billy in the Low Ground".

The traditional country song Columbus Stockade Blues, performed by Cliff Carlisle

Amazing grace played at Wells Bridge Fire Department Pavillion on June 3, 2006, by "Rocks From The Garden", Joannie(vocal) and Randy(guitar). アメイジング・グレイス。ニューヨーク州デラウウェア郡出身のアマチュア・デュオ「ロック・フローム・ザ・ガーデン」による演奏。ボーカルはジョアニーさん、ギターはランディーさん。

The victorian child ballad Black Jack David (ballad no.200), performed by Cliff Carlisle

Català: Partitura inèdita d'Enric Granados dedicata a Issac Albèniz. Font: Museu d'Art de Girona Score by Enrique Granados dedicated to Issac Albeniz. Source: Girona Art Museum. Granados wrote, "A mi queridísimo Isaac" which translates as "To my beloved Isaac"

A sample of clean versus buzz sound (E) on electric guitar. Un exemple de corde qui frise (mi) sur une guitare électrique.

Ramblin' Tommy Scott performs the traditional tune She'll Come Be Rolling Around The Mountain

Ogg Vorbis sounds file of scale: C Melodic minor

The traditional country song My Bucket's Got A Hole In It, performed by Hank Williams and his Drifting Cowboys

Ascending and descending scale played in E major

Rumores de la Caleta Op 71 by Isaac Albéniz

Suite espanola op. 47 - leyenda

The victorian child ballad Black Jack David (ballad no.200), performed by Warren Smith

A live version of Warren Smith's Black Jack David